Video Project Essay 2

The Impact of Women on the Beginning of Film

Throughout the history of cinema, women have played a key role in the success of the film industry. Although their roles in films have changed over the years, women have remained an important driving force behind film innovation and production. Recently it was discovered that women had played a pioneering role in the beginning of the film industry. Alice Guy-Blache is credited with directing the first fiction film. In addition, she produced “hundreds of short films in France and later in the United States, and more than twenty feature films through her film company, Solax” (White, 125). Lois Weber, another prolific film-maker, created many movies that helped “illuminate links between early twentieth-century middle-class feminism and the emerging cultural role of cinema” (White, 125). Although forgotten until recent discovery, these two film-makers played important roles in the initial emergence of the film industry. Both women serve as examples of the fact that although the roles of women in the film industry vary over time, their impact is powerful, and has served a large role in molding film production into what it is today.

Hill, John and Pamela Church Gibson. The Oxford Guide to Film Studies. New York: Oxford University Press,1998. Print.

-David Zwick

Essay 2

Video Essay 2

Defining the New Wave (Essay 2) David Zwick

400 Blows!

The French New Wave which started in the 1950s and 1960s had a series of new and interesting movies which complemented the European art cinema genre. The movie 400 Blows, by Francois Trouffaut, is now recognized as one of the most important films of the French New Wave. The film, based partly on Trouffaut’s life, depicts an original story of a young boy and his mischievous acts. The movie not only appeals to young adults who are themselves living this mischievous life but also to an older audience who likes to reminisce about their childhood memories and who are captured by this relationship to their own young lives. The movie therefore was a natural success not only in France but throughout the whole world.
The film also uses a series of unique techniques to portray its message, showing Francois Trouffaut’s auteur capabilities. The ending scene in particular shows the genius of Trouffaut. As the main character, Antoine, runs towards the sea to escape his troublesome life, the camera closes in on his face as he stares out into the ocean. This shot allows the audience to feel compassion for the main character and the angle shot on Antoine’s face fully relates to the new found hope that Antoine has found. He has now transformed into an adult who will begin his life anew without memory of his hard childhood. Because the movie does not have a definite ending, it again leaves room for the audience to derive their own meaning for the movie adding furthermore to its universal appeal.